Workshops on Acting in Theater.

I have a record of workshops majorly in the theatrical industry:
1) Museo Pambata Drama workshop (1997 or 1998)
2) CCP Teen Theater + Musical Theater in Acting (2005)
3) CCP Teen Theater (2006)
4) GANTIMPALA's Acting in Musical Theater for Teens and Adults. (2008)

If possible, I may have my 5th workshop which can be in Gantimpala for this summer coinciding with my studies (IF THERE IS NO SCHEDULE CONFLICT)

I have tried 4 times each summer knowing the world of imagination about acting. Let us see who were my Instructors:
1) Roeder Camañag (Gantimpala) (Urian awardee 2008)
2) Mailes Kanapi (CCP 2005)
3) Mayen Estañero (CCP 2006)
4) Carlon Matobato (CCP 2006)
5) Catherine "Cats" Racsag (CCP 2005)
6) Leonyl "Onyl" Torres (Gantimpala) (Baritone Singer)
7) Ron Rolloda (CCP 2005)
8) Marisse Baleza (CCP 2005)

The Tribute to the GREAT 8 THEATER INSTRUCTORS

Greetings, guys. You have helped me and the respective others with dignity. Spreading love with a broken leg is a model of appreciation from your participant-students. The future of that great art is in the fate of the present amateur actors. I have seen the grand practicality of the job on stage. I have ONLY experienced stage acting 5 times. You shall all never be forgotten and be considered as the "Professors of live stage acting and musicality".

"The world is the stage and we ourselves are our-own actors playing anonymously on the stage."

I admire the prestige applied in theatrical professionalism.

Ideal Actor- This type of actor is very flexible in roles and acting that no one can doubt his ability to act on stage (Roeder Camañag; May 2008)


Artistic Directors: Mr. Herbert Go (CCP 2005-2006) ; Mr. Tony Espejo (GANTIMPALA THEATER FOUNDATION)

The most memorable workshop is Gantimpala because I have learned alot from them with essence and great substance. As usually observed, every workshop follows a certain pattern from workshop registration to the recital.

First few weeks (Week 1 to 4 or 5)- This is the duration of the workshop proper. Every afternoon in CCP (Except Weekends and Mondays). M-W-F afternoons in Gantimpala. The impromptu development and learning of skills with the involvement of talent.

Week 6 - 8 are the pre-recital rehearsals. The rehearsals were extensive that it became everyday. In this period, the skills of the particpants usually wear out making the instructors outrageous. Usually, 2 to 3 days before the actual recital, the instructors end up hopeless leaving the participants misunderstood with the goal.

End- RECITAL (The ultimate showcase of the workshop)

Every summer Theater workshop I attended (Except for MP), that that pattern always happens. The most unique workshop for me is CCP 2005 because it dealt with the combination of the 2 workshops.

I hardly remember from the events from the Museo Pambata workshop.

BREAK A LEG! LOL